Soul of the January Hills

Tim Eriksen

14 songs for voice alone
0:00/???
  1. 1
    0:00/4:36
  2. 2
    0:00/5:07
  3. 3
    0:00/3:43
  4. 4
    0:00/2:56
  5. 5
    0:00/3:14
  6. 6
    0:00/4:00
  7. 7
    0:00/3:40
  8. 8
    0:00/3:37
  9. 9
    0:00/4:22
  10. 10
    0:00/2:32
  11. 11
    Hope 1:47
    0:00/1:47
  12. 12
    0:00/2:04
  13. 13
    0:00/3:12
  14. 14
    0:00/3:36

 

 

 

One voice alone may be the most common form of music in the world, though at the moment many people encounter it only in the lullaby or in the shower. So, for the time being, this recording represents both a radical idea and a lost art overdue for a comeback. Soul of the January Hills was about one hour and many years in the making - about an hour to sit down and sing 14 songs in a row as they came to me and many years of working to the point where I could do that well enough to want to share it beyond my immediate family. It's meant for listening, but you could also learn a couple of the songs and sing them yourself. As long as it doesn't bother the neighbors too much it might be a good thing. - Tim Eriksen, Amherst, MA, January 2010

Fearless singer-songwriter-multi-instrumentalist Tim Eriksen follows yet another adventurous path on his new Soul of the January Hills CD, stripping the arrangements down to his own solo voice on 14 songs recorded in a single take.

The CD encompasses a new arrangement of the familiar “Amazing Grace,” as well as several other hymns (“Son of God,” “Wrestling Jacob”), dark accounts of incest and murder (“Queen Jane,” “Two Babes”), the pleasures and pain of love (“Lass of Glenshee,” “A Soldier Traveling from the North,” and “John Randolph,” probably the oldest song here, dating back to the 15th Century), and even optimism in harsh times (“Hope,” “Better Days Coming”). Perhaps most timeless and, sadly, most relevant is Tim’s a cappella rendition of “I Wish the Wars Were All Over,” an original based on an 18th Century ballad.

With these 14 songs for voice alone, says Eriksen, “I’m throwing down the gauntlet. Not really. I’m not looking for a battle, but it would be nice if this record was taken as a friendly challenge to get people into hardcore singing, especially the old ballads and hymns and stuff.” Eschewing instrumental accompaniment is a courageous move for a musician ripe for an easy-to-swallow Americana cash-in record with big-name sidemen and easygoing material, but the stark intensity of Eriksen’s passionate, unvarnished baritone voice reflects his conviction that unamplified, unaccompanied ballad singing “can be incredibly beautiful, powerful stuff.”